Barbara Navi

We are pleased to present the first solo exhibition of French artist Barbara Navi at Galerie RX&SLAG Paris, curated by Seph Rodney, a renowned critic and essayist, former associate editor of Hyperallergic magazine, contributor to The New York Times, CNN, and MSNBC the American news channel co-founded by Microsoft and NBC as well as co-host of the podcast The American Age.

This carte blanche given to Seph Rodney provides an opportunity to approach Barbara Navi’s work in its most vital dimension: that of a painting in motion, traversed by opposing forces, where form emerges from the formless only to dissolve back into it. Since the early 2000s, the artist has developed a practice in which her work freely engages in dialogue with photography, video, models, and collage. Far from any linear narrative, her painting explores transitions, thresholds, and instabilities a terrain of emergence where figuration is tested, unsettled, and reinvented.

Barbara Navi often begins from an initial state of disorder a set of stains, collages, or heterogeneous images that she arranges, erases, and transforms until a form emerges, balanced between presence and erasure. In this process, where improvisation plays an essential role, a continuous struggle unfolds between construction and dissolution, between the rigor of composition and the freedom of gesture. Painting thus unfolds as a visual adventure, open to accident and discovery.

In Barbara Navi’s pictorial universe, figures seem to emerge from a suspended reality, from an event of which only the trace remains. Each painting thus reinvents a fragment of reality through pictorial fictions, where forms remain caught in the vibration of their background. Her works construct a fragmented, anachronistic sense of time, in which multiple worlds coexist within a single image, like the overlapping frames of a cinematic dissolve. What unfolds here is not the memory of a vanished world, but the flickering presence of one barely glimpsed.

Her fragmented brushwork acts like the very breath of the visible. It arises from a kind of chromatic bruise (1) a zone of friction between light and matter where color seems to surface from the depths of the background it seeks to veil. The hues blend, fade, and evaporate, allowing the shifting density of the support from which they emerge to appear. The canvas seems traversed by currents, as though the image were forming on the surface of troubled water. This internal mobility prevents any fixation of the motif and draws the viewer’s gaze into a continuous oscillation between emergence and disappearance. Here lies the singular power of her work: in its capacity to invent a kind of painting that remains faithful to its own instability. As Hannah Baudet writes, “To contemplate a painting by Barbara Navi is to plunge into the confines of unknown realms (2) into that in-between space where dream and reality, imagination and lucidity, merge without ever cancelling one another out. The painting there retains the memory of its own becoming.”

(1) My Last Refuge, Numa Hambursin, art historian and director of MO.CO., catalog for the exhibition Sous tant de paupières.
(2) These Gates of Horn and Ivory, Hannah Baudet, director of the art center Le Suquet des Artistes, catalog for the eponymous exhibition, Cannes, 2024.
 

Text by Seph Rodney

My first experience seeing Barbara Navi’s paintings included the feeling of, being giddily disoriented, each canvas appearing like a visual history treatise out of which parts have been torn and replaced with other odd moments in the timeline. But spatial and temporal disorientation is not the artist’s goal. Rather it is, in her own words, about creating “a fracture in ordinary time, a caesura in the phrasing of the world.” Through that window, in the moment of held breath we might understand that the life that is elsewhere is actually close at hand. We each have bodies that are constantly moving into a future moment, preparing ourselves for what might be, knowing that we will be called upon to prove we are the right person to do whatever thing we are being asked to do. Simultaneously, we carry our pasts deep inside us, even at the cellular level, where we were phrased by someone else’s tongue long before we answered to a name that we recognized as our owns.

Take her painting “Apesanteur” (Weightlessness). What is happening inside this sky? Several kinds of airplanes soar above in a lazy circular formation, not all of them in the same direction. More strangely, they are aircraft originating in different eras, biplanes alongside airliners, alongside modern jet engines. Where are we, and more importantly, when are we? Adding to the paradox of this painting, below the revolving planes is what looks like a tapering column, a tower of Babel, pursuant to the biblical narrative describing an edifice where humans gathered to build ourselves a spire to heaven. Around this structure, on the periphery of the composition are various children dressed in dark clothing, hands idle or with their arms crossed over their chests, waiting for the universe to right itself and stop all this haphazard mixing of time and space. What is happening right now? It’s impossible to tell which is the “real” reality. Is it the children’s world, or the wheeling aircraft of varying technological sophistication, the whirling edifice to human ambition, or the odd indigo pool beneath it all?

Navi’s “Apesanteur”, doesn’t ever resolve these questions. Instead, the image causes me to waft in and out of present consciousness like I’m recollecting a vague memory of something that I lived through before realizing it was a moment I had only heard or read about.

Living in the present moment is tricky. It requires almost constant attention to what is in front of me right now — a computer screen, and above it, through a window, brownish-red tree branches shaking in the wind, and to my left in the kitchen space, a tea kettle pouring steam into the air. At the same time, I must pay attention to future plans : the trip into the city today to see art and to have a, walk with a friend, next week’s plans to New Haven Connecticut, the next month’s responsibilities in Miami. And, choosing to be emotionally healthy, I also regularly look at my past, consider the relationships I’ve had, and talk about them with my therapist to gauge how they have shaped my understanding of who I am, how I love and care for others.

Navi’s paintings within The Life That is Elsewhere impel me to think that these enterprises are not so separate. She suggests that they coexist, that if I tilt my head just so, the past appears, and getting up to fetch my cup of tea, there’s a future apprehensible in the steam.

In her work “Coulisses” (Backstage or Wings) the top of the canvas seems to describe a scene inside a cave where five workers, all of them, with one exception, are dressed in light gray uniforms, performing some kind of labor, perhaps excavation. But underneath them, moving toward the foreground of the painting, is a broad snowy field flecked with green trees. At the bottom of the painting, the field morphs into a stony shelf below which another field of white flowers, held aloft by stalks that are green or yellow, pushes up towards the light. Look, as I do now, again at the cave and you will notice that to its left and right there are holes where an ocean peeks through. The life that is not here, Navi tells me, is always on the edges of our senses, tickling our perception, teasing these senses to expand their grasp.

Throughout the exhibition Barbara Navi conflates several disparate realities tucked into the composition of the painting and makes the boundaries between them porous. They leak into each other. They permit various kinds of emotional, intellectual, and psychic engagement because they feel like something already glimpsed, either dream or in memory. There is a sky inside of this body you have; it is a meeting place for distinct times and heroes.

Gazing at Navi’s paintings out of the corner of your eye you may glimpse that tower of Babel, the myriad languages spoken in your life: the lover who swept up fallen leaves as the world wheeled towards winter, the parent who blew on your tea to cool it before it touched your lips, the person you dream of holding your hand as you step on the plane. They are all here. Now you are able to greet them, acknowledge their presence and see in yourself the wide, azure sky that will never die.

- Seph Rodney
 

BIOGRAPHY
Born in 1970 in Boulogne-Billancourt. Lives and works in Paris, France.

After studying interior design at the École Boulle and then completing a master's degree in philosophy at the Sorbonne, Barbara Navi developed a unique pictorial style, nourished by experimentation and a constant dialogue with the history of painting and cinema. Her practice incorporates photography, collage and video, which become the raw material for sensitive and poetic compositions. Her paintings, somewhere between memory and dream, evoke fragments of landscapes, archives and memories, blending past and future in disjointed spaces where time stands still.

 

SOLO EXHIBITIONS

2026-2025
- From November 29, 2025 to January 10, 2026 : The Life that is Elsewhere, Curator Seph Rodney, RX&SLAG Gallery, Paris, France.
2024
- Sous tant de Paupières, Valérie Delaunay Gallery, Paris, France. 
- Ces portes de corne et d'ivoire, Curator Hanna Baudet, Centre d'art le Suquet des Artistes, Cannes, France.
2023
- Ce talisman du monde, Espace Vallès, Saint-Martin-d'Hères, France.
2023-2022
- Beauty I've Always Missed, À Cent Mètres du Centre du Monde, Perpignan, France.
2021
- Fever, HGallery, Paris, France.
- Chemins de Traverse, church Notre-Dame, Portbail, Cotentin, France.
2020-2019
- Extime, Belem Gallery, Paris, France.
2019
- Leurs chances de printemps, 24Beaubourg, Paris, France.
2018
- Une chambre ailleurs, Bazis Project Space, Centrul de Interes, Cluj-Napoca, Romania.
2016
- Anabase, 24Beaubourg, Paris, France.
2015
- Les égarés, Galerie de la voûte, Paris, France.
- A pas feutrés, Le 56, Art sous x, Paris, France.
2014
- Eaux troubles, Curator Nathalie Viot, 24 Beaubourg, Paris, France.
2013
- La part d’ombre, Baumwollspinnerei, Leipzig, Germany.
2012
- Vertige, 24 Beaubourg, Paris, France.
- Fuir ! là-bas fuir !, Cultural center Lino Ventura, Athis-Mons, France.
2011
- Antichambre, Media library Pablo-Neruda, Malakoff, France.
2010
- Errance, Pierrick Touchefeu Gallery, Sceaux, France.
2008
- Sanctuaire des minuscules, Fat Gallery, Paris, France.
2005
- Mémoire urbaine, Xavier Sequier Gallery, Paris, France.
2004
- Nocturne, Cathay Gallery, Paris, France.


GROUP EXHIBITIONS (selection)

2025
- Inside Out Project, Curator Vincent Noiret Sibeaux, Contemporary art center Carcassonne, Carcassonne, France.
- Art Paris, Valérie Delaunay Gallery, Grand Palais, Paris, France.
2024
- Rundgänge der Spinnerei Galerien, Baumwollspinnerei, Leipzig, Germany.
- Heureux qui comme Ulysse, Curator Vincent Noiret Sibeaux, Le Paquebot Lydia, Le Barcarès, France.
- Exposition en hommage à Pierre de Ronsard, Curator Fabienne Rousseau, Abbaye Royale Saint-Pierre de Bourgueil, France.
- Paysage(s) à Autun, Curator Martin Bruneau, les anciennes tanneries d’ Autun, Autun, France.
- So Sorry, SoBD, Curator Corine Borgnet, Cécile F Gallery, Paris, France.
2023
- Dsoérdre, Carte blanche to Corine Borgnet, HGallery, Paris, France.
- Le rêve a ses raisons, La Biennale d'Issy, Curators Sophie Deschamps-Causse et Anne Malherbe, Carte à jouer Museum, Issy-Les Moulineaux, France.
- Rêves, Curator Johan Bonnefoy, l'Espace, Lieu-dit Rognac, Saint-Arcons d'Allier, France.
- Mythologies Contemporaines, Curator Vincent Noiret Sibeaux, Casa Restany, Former Chapel of the Military Hospital, Amélie-les-Bains-Palalda, France.
- Immortelle, Curator Numa Hambursin et Amélie Adamo, Musée MO.CO, Montpellier, France.
2023-2022
- Super Nature, Valérie Delaunay Gallery, Manifesta Lyon, Lyon, France.
2022
- Art Luxembourg, Valérie Delaunay Gallery, Exhibition supported by the CNAP, Luxembourg.
- BAD +, Valérie Delaunay Gallery, Bordeaux, France.
2021
- ST-Art, Strasbourg Contemporary Art Fair, Art Absolument, Strasbourg, France.
- Element, Duo with Sigrid v. Lintig, The Grass is Greener Gallery, Leipzig, Germany.
- Art Paris Art Fair, H Gallery, Paris, France.
- On achève bien la culture, H Gallery, Paris, France.
- INSPIRÉ.E.S, CAC l'ar(T)Senal, Dreux, France.
2020
- Vous avez dit bizarre ?, Belem Gallery, Paris, France.
- Tableaux Fantômes, Curators L. Hossepied, E. Rigollaud, N. Tourte, S. Bottela-Gaudichon, Musee Benoît-De-Puydt, Bailleul, France.
- Ouvrages de Dames III,  Valérie Delaunay Gallery, Paris, France.
- Paysages, Présages, Le 6b, Saint-Denis, France.
2019
- En Espérant Croiser Votre Regard, Curators Gabrielle Bourgois-Pandit et Léopold Legros, Galerie Eva Meyer, Paris, France.
- Jardinons les possibles, Curators Isabelle de Maison Rouge et Ingrid Pux, Les Grandes Serres de Pantin, Pantin, France.
- Exposition collective, Sens Intérieur Gallery, Port Cogolin, Provence Alpes Côte d’ Azur, France.  
- Tableaux Fantômes, Curators L. Hossepied, E. Rigollaud, N. Tourte, S. Bottela-Gaudichon, centre d’histoire et mémorial 14-18, Notre-Dame-de-Lorette, France.
-  Miscellanea, Galerie du comble, Virton, Belgique.
- So hot and Lovely, Proposition de Corine Borgnet, Maxime D Gallery, Paris, France.
2019-2018
- L’artiste dévorant son modèle, Popy Arvani Gallery, Paris, France.
2018
- Tableaux Fantômes, Curators L. Hossepied, E. Rigollaud, N. Tourte, S. Bottela-Gaudichon, La Piscine Musuem, Roubaix, France.
- Figurations parisiennes, T&L Gallery, Paris, France.
- Ddessin, cabinet du dessin contemporain, Atelier Richelieu, Paris, France.
- Rikiki 2, micro-maxi Show, a proposal by Joël Hubaut, Satellite Gallery, Paris, France.
2017
- La Petite Collection, a proposal by Florence Lucas, Bertrand Grimont Gallery, Paris, France.
- So Strange, Trans Gallery, Salon de la Bande Dessinée, Paris, France.
- Vente aux enchères à but caritatif, Rotary Club Champs Elysées, 24 Beaubourg, Paris, France.
- In the Gallerist’s Mind, a proposal by Corine Borgnet, Valérie Delaunay Gallery, Paris, France.
- L’Œil Neuf, Christiane Peugeot space, Paris, France.
- Kunstschorle, Curator Axel Pahlavi, Ventilator, Berlin, Germany.
- Fantasque fantastique, Curator François Mathieu, Beaulieu Abbey, France.
- Ouvrages de dame, Valérie Delaunay Gallery, Paris, France.
2016
- La force de la peinture, Curator Athénaïs Rézette, Virton, Belgium.
- Berliner Liste, 24 Beaubourg and Mario Bermel Galleries, Berlin, Germany.
- Polyptyque, Espace Secret, Curator Rugiada Cadoni, Paris, France.
- Salo IV, 24Beaubourg, Curator Laurent Quénéhen, Paris, France.
2013
- Summer Show, Leipzig-Baumwollspinnerei, Leipzig, Germany.
- Pour la paix, Media library Pablo-Néruda, Malakoff, France.
- Group Show, 24 Beaubourg, Paris, France.
2012
- Regards croisés, Michelet space, Athis-Mons, France.
2011
- What do you think about nature ?, Curator Iléana Cornea, 89 Gallery, Paris, France.
- Æncrage, Michelet Space, Athis-Mons, France.
- Un moment de suspension, A la marge.K, Malakoff, France.
- Artistes pour la paix, Malakoff, France.
2010
- The Shape of time, From Micropolis to Metroplis, Contemporary Art Biennial, Yeosu, Corée.
- 1001 notes, Saint-Robert, Limousin, France.
2009
- L’œil neuf, Christiane Peugeot space, Paris, France.
2008
- Contemporary art exhibition, Montrouge, France.
- Artistes pour la paix, Malakoff, France.
2007
- Contemporary art exhibition, Montrouge, France.
- Summer Show, Fat Gallery, Paris, France.
- Prix Antoine Marin, Sam Szafran sponsorship, Arcueil, France.
2001
- Art et cigare, SIMAA, avec G. Xuriguéra, Beyrouth.
2000
- Promesses années 2000, With G. Xuriguéra, Belleville space, Paris, France.
- Variations, Curtor G. Xuriguéra, Belleville space, Paris, France.


PRESS (selection)

2025
- Le Journal du Dimanche, Alix Avril, La Matière des rêves.
- Challenges, Télescopages mystérieux.
- Harper’s Bazar France, Art Paris 2025 : la foire au for contemporain.
2024
- La Nouvelle République, Une exposition en hommage à Ronsard.
- LA Strada, Ces portes de corne et d'ivoire, Michel Gathier.
- Nice Matin, Tissus de songes, Aurore Harrouis.
- La Strada, Les souvenirs-songe de Barbara Navi, Alix Decreux.
- Leipziger Volkszeitung, Kunst und Musik, Aufstieg und Fall, Jurgen Kleindienst.
2023
- La Montagne, Échos et traces de l’inquiétante étrangeté, Catherine David.
- Les affiches de Grenoble et de Dauphiné, Pourvoyeuse de magie, J.-L. R.
- Périphériques, La culture à Saint-Martin-d'Hères, La réalité augmentée par le rêve, J.-P. Chambon.
2022
- Parcours des Arts Magazine, Entre le perte et l'absence, la quête de la beauté, Alex Less.
- L'indépendant, Première expo de Barbara Navi à Cent mètres du centre du monde, Sylvie Chambon.
- L'Art-Vues, Barbara Navi à ACMCM.
- Diari de Girona, Pintura s'escriu en femení, Eudald Camps.
- Artshebdomédias, Atteindre l'autre rive avec Barbara Navi.
- Contemporanéités de l'art, BARBARA NAVI, Beauty I've Always Missed.
- Le Vadrouilleur Urbain, Beauty I've Always Missed.

2021
- Artshebdomédias, Art Paris, la figuration fait un tabac, Véronique Godé.
- Artshebdomédias, Barbara Navi et Sigrid von Lintig, Element, Véronique Godé.
- Point Contemporain, numéro 23, entretien Barbara Navi.
- Miroir de l’Art, numéro 112, Barbara Navi Fever.
- La Manche Libre, Philippe Crinon.
2019
- Miroir de l’Art, numéro 104, Barbara Navi, Les fragments étranges.
- En direct / Exposition Extime, Point Contemporain.
- Beaux-Arts Magazine, Stéphanie Pioda, annonce de l’exposition Extime.

2018
- Miroir de l’art, numéro 89, 500 artistes qui nous font rêver.
2017
- Gazette Drouot, ouvrages de dames, Lydia Harambourg, historienne et critique d’art, membre correspondante de l’Académie des Beaux-Arts. 
2016
- Happenning.
- L’œil.
- Arte Novus, Maria Gusova.
- Barbara Navi : une autre vision de l'éros, J.-P Gavard Perret, Le salon littéraire.
- L’ondoiement des rêves, Emma Nubel, Carnet d’art.
- Tendres ténèbres et dérivations, J.-P Gavard Perret, Boumbang.
2015
- Tendre est la nuit, Jean-Paul Gavard Perret, critique d’art, Le littéraire.
- Barbara Navi, Les Égarés, Gazette Drouot, Lydia Harambourg, historienne et critique d’art, membre correspondante de l’Académie des Beaux-Arts.
- Miroir de l’art, Ludovic Duhamel, Barbara Navi, une temporalité de l’imminence.
2013
- Franckfurter Allgemeine Zeitung, Bettina Wohlfarth, écrivaine.
2011
- Artension, Barbara Navi, le grésillement du réel, Iléana Cornea, critique d’art.
- Azart, G. Gamand, Barbara Navi, peindre l’entre-deux.
2010
- Sud-ouest.
2009
- Harper’s Magazine.
- 92 Express.
- Art et décoration.
2008
- Paris ART.
2007
- Métro.
2005
- Métro.


PUBLICATIONS

2025
- Immortelle, Un parcours dans la peinture française de 1945 à nos jours, catalogue de l’exposition des artistes sélectionnés pour le prix BNP Paribas Banque Privée, Amélie Adamo, Numa Hambursin, Art Paris, Paris, France.
2024
- Sous tant de paupières, Catalogue de l’exposition éponyme, Galerie Valérie Delaunay, texte de Numa Hambursin, directeur du MO.CO. Montpellier Contemporain, Éditions Lord Byron, (catalogue soutenu par le CNAP).
- Ces portes de Corne et d'Ivoire, catalogue de l'exposition éponyme, Centre d'art le Suquet des Artistes, Hanna Baudet, directrice du centre d'art, Élora Weill-Engerer, critique et historienne de l'art.
2023
- Rêve, catalogue de l'exposition éponyme, Noémie Cursoux.
- Immortelle, catalogue de l'exposition éponyme, texte Numa Hambursin, Amélie Adamo, Musée MO.CO.
2021
- INSPIRÉ.E.S, Catalogue de l'exposition éponyme, Cac l'art(T)senal, Dreux.
2020
- Barbara Navi, Tableaux d’une exposition, Claude Guibert, Chroniques du Chapeau Noir.
2019
- Barbara Navi. L’irrésolution, texte de Léon Mychkine, ARTICLE.
- Jardinons les possibles, catalogue d’exposition, Isabelle de Maison Rouge et Ingrid Pux, Éditions Tribew.
- Barbara Navi, une œuvre en rhizomes, texte de présentation de l’exposition, Claude Guibert.
- Tableaux fantômes, catalogue de l’exposition éponyme au Musée La Piscine, Roubaix.
2018
- Une chambre ailleurs, ou l'échappée belle, présentation de l’exposition éponyme, texte d’Ileana Cornea.
2017
-  Catalogue de la vente aux enchères à but caritatif, Rotary Club Paris Champs-Elysées, 24Beaubourg.
- Fantasque fantastique, catalogue de l’exposition à l’abbaye de Beaulieu, texte de François Mathieu, écrivain et traducteur.
- Barbara Navi Livre, Editions Littérature Mineure, ouvrage sur papier cristal, deux feuilles pliées avec rabats.
2016
- Barbara Navi, voyage vers l’intérieur, Claude Guibert, critique d’art, Chroniques du Chapeau Noir.
- Anabase, Clotilde Scordia, catalogue de l’exposition au 24Beaubourg, préface Laurent Quénéhen Paris, France.
- Anabase, Clotilde Scordia, catalogue de l’exposition au 24Beaubourg, préface Laurent Quénéhen Paris, France.
- Peinture Contemporaine, Athénaïs Rz, Editions LE COMBLE.
-Salo IV, Catalogue de l’exposition au 24Beaubourg, Commissariat Laurent Quénéhen.
2015
- Les mirages de la figuration, Claude Guibert, critique d’art.
-  Les égarés, texte de l’exposition, Ileana Cornea, critique d’art.
- Barbara Navi, Les Égarés, Lydia Harambourg, historienne et critique d’art, membre correspondante de l’Académie des Beaux-Arts, Gazette Drouot.
- L’étrange familier, Diasporiques, cultures en mouvement.
- Les conversions secrètes de Barbara Navi, Jean-Paul Gavard-Perret, le salon littéraire, lintern@ute,.
- A pas feutrés, portfolio, texte de Barbara Mahé, art sous x, Paris.
2013
- Schatten des Augenscheins–Nachtstücke von Barbara Navi, catalogue de l’exposition, Baumwollspinnerei-Leipzig, texte de Julia Drost, historienne de l’art, directrice du Centre de recherche Max Ernst au Centre allemand d’histoire de l’art de Paris, Leipzig.
2012
- Antichambre, éditions Nolin, Peindre le temps, texte de Philippe Renault, journaliste revue Cassandre, entretien Nicolas Franck, enseignant de l’esthétique, université Paris III.
2011
- Qu’est-ce que vous pensez de la nature ?, texte d'Iléana Cornea, critique d’art, Séoul-Paris.
2010
- From Micropolis to Metroplis, Biennale d’art contemporain, Yeosu, Corée.
2008
- Découvertes 2008, catalogue du salon de Montrouge, Montrouge.
2007
- Découvertes 2007, catalogue du salon de Montrouge, Montrouge.
2005
- Mémoire Urbaine,  Collector édité par galerie Sequier, 16 exemplaires, Paris.
2000
- Œuvres sur papier, variations, Gérard Xuriguera, historien et critique d’art, catalogue d'exposition, Espace Belleville, Paris.
- Promesses années 2000, Gérard Xuriguera, historien et critique d’art, catalogue d'exposition, Espace Belleville, Paris.


RESIDENCES

- Casa del Fabbro, San Maurizio, Italy, August 2019.
- Centrul de Interes, Cluj-Napoca, Romania, July 2018.
- Casa del Fabbro, San Maurizio, Italy, August 2018.


PRESS RELEASES, INTERVIEWS, REPORTS

2024
- Ces portes de corne et d'ivoire, reportage ICI 12/13 - Côte d'Azur, Wednesday, February 28th, 2024.
- Sous tant de paupières, VALÉRIE DELAUNAY GALLERY, Paris, France.
- Ces portes de corne et d'ivoire, le Centre d'art Suquet des artistes, Cannes, France.
2023
- Interview mit Esther Niebel, The Grass is Greener Gallery, Leipzig,Germany.
- Ce Talisman du Monde, Espace Vallès, Saint-Martin-d'Hères, France.
- Ce Talisman du Monde, Espace Vallès, Saint-Martin-d'Hères, France.
2022
- Beauty Ive Always Missed, A cent Mètres du Centre du Monde, Perpignan, France.
2021
- Interview mit Esther Niebel, The Grass is Greener Gallery, Leipzig,Germany.
- Fever, H Gallery, Paris, France.
2020
- Extime, Galerie Belem, Paris, France.
2019
- Leurs chances de printemps, 24Beaubourg, Paris, France.  
2018
- Une chambre ailleurs, Bazis Project Space, Centrul de Interes, Cluj-Napoca, Romania.
2016
- Anabase, 24Beubourg, Paris, France.  
2015
- Les égarés, Galerie de la voûte, Paris, France.
2014
- Eaux troubles, Commissariat Nathalie Viot, 24 Beaubourg, Paris, France.
2013
- La part d’ombre, Baumwollspinnerei, Leipzig,Germany.